The magical setting of the Pomis Bastion of the San Giusto Castle will be host to a Sunset Talk organised by the University of Trieste on Thursday 20th June.

The theme of the meeting is ‘Art and UniTS: a journey from 1953 to today’ with Bruno Callegher, Massimo Degrassi and Lorenzo Michelli. It is open to all and subject to availability of places.

The event is connected to the exhibition ‘1924-2024 - A Century in the History of the University of Trieste. Pictures and documents', also on display at the Pomis Bastion until 1st September. 

Massimo De Grassi, lecturer in History of Contemporary Art at UniTS, will recount the events relating to the first works of art donated to the University of Trieste, and will address the dynamics of the Exhibition of Contemporary Italian Painting set up in the University's Main Hall in December 1953, the founding nucleus of the Rectorate's Picture Gallery and the driving force behind the University's subsequent acquisition policies. These acquisitions have over the years led to significant numbers of visitors and highly esteemed artistic presences.

"There are many ways in which the relationship between the University of Trieste and artistic research developed during the construction of the monumental building designed in the 1930s by Raffaello Fagnoni and Umberto Nordio," explains Lorenzo Michelli. "Authors such as Marcello Mascherini, Ugo Carà and Mario Moschi were involved in the design of a structure that defined its identity and vocation through the artistic reinterpretation of myths and allegories. Another historic moment is that of '53, in which a significant group of artists of national stature donated works of high quality that represent what is in fact one of the most important public collections dedicated to the 20th century in Trieste". 

After the talk there will be an aperitif on the terrace.

INFO AND PROGRAMME

A research team led by the National Institute of Astrophysics (INAF) has once again harnessed very distant and energetic relativistic winds generated by a distant but definitely active quasar (one of the brightest discovered so far). A study published in The Astrophysical Journal reports the first observation at different wavelengths of the interaction between a black hole and its host galaxy quasar during the early stages of the Universe, some 13 billion years ago. In addition to the evidence of a gas storm generated by the black hole, the experts discovered for the first time a halo of gas extending far beyond the galaxy, suggesting the presence of material ejected from the galaxy itself through winds generated by the black hole.

The galaxy J0923+0402 is featured in the study, a galaxy far from earth with a quasar at its centre. To be precise, it has a redshift of z = 6.632, meaning the radiation we can observe on earth was emitted when the Universe was less than a billion years old. Quasar light (or quasi-stellar radio source) is produced when the galactic material surrounding the supermassive black hole gathers in an accretion disk. As the matter approaches the black hole and is then swallowed up by it, it heats up, emitting large amounts of bright radiation in both visible and ultraviolet light.

“The combined use of multi-band observations has allowed us to study the most distant quasar with a measurement of nuclear wind and the most extensive gas halo detected in remote epochs (about 50 thousand light years). This was done over a very wide range of spatial scales and from the most nuclear regions down to the circumgalactic medium,” explains Manuela Bischetti, first author of the study and researcher at INAF and the University of Trieste. 

The data described in the article is the result of the collaboration of research groups studying different frequencies of the electromagnetic spectrum. First and foremost, the X-Shooter spectrograph, installed on the ESO's Very Large Telescope (VLT), has captured bursts of matter known as BAL winds (broad absorption lines winds) capable of reaching relativistic speeds of up to tens of thousands of kilometres per second, measuring and calculating their characteristics. The powerful Chilean antennas of ALMA (ESO's Atacama Large Millimeter/submillimetre Array) were activated to search for the counterpart in the cold gas of the BAL winds and to see if it extended beyond the scale of the galaxy, receiving frequencies from 242 to 257 GHz from the dawn of the Cosmos. 

The researcher points out: 'BALs are winds that are observed in the ultraviolet spectrum of the quasar, which, given their long distance from earth, we observe at optical and near-infrared wavelengths. We used the Very Large Telescope's X-Shooter spectrograph to make these observations. We had already discovered the BAL of this quasar two years ago, but the problem was that we could not quantify how energetic it was. This BAL wind is a hot gas wind (tens of thousands of degrees) moving at tens of thousands of km/s. At the same time, ALMA's millimetre-band observations allowed us to understand what is happening in and around the galaxy by observing what happens to the cold gas (a few hundred degrees). We found that the wind also extends to the scale of the galaxy, but expectedly has lower velocities of 500 km/s, since the wind decelerates as it expands. This helped us to theorise that this mega halo of gas was created by the material that the winds ejected from the galaxy'.

The position of the energy source was then 'immortalised' first by the Hyper Suprime-Cam (HSC), a giant camera installed on the Subaru telescope and developed by the National Astronomical Observatory of Japan (NAOJ), and, more accurately, by the NIRCam, an infrared camera installed on the James Webb Space Telescope (JWST of NASA, ESA and CSA space agencies). “This quasar will be observed again by the JWST in the future to better study both the wind and the halo,” Bischetti announced.

The researcher goes on to explain the reason for this survey: 'We wondered whether black hole activity could have an impact on the early stages of galaxy evolution, and through which mechanisms this might occur. The combination of multiband data ranging from optical and near-infrared to millimetre-band observations was highly successful, the former having been used to measure the properties of the black hole and what happens in the core of the galaxy and the latter to study what happens in and around the galaxy.” The measurements carried out “are routine in the local Universe, but these results have never been obtained before at redshift z>6,” he adds.

“Our study helps us understand how gas is ejected or captured by galaxies in the Young Universe and how black holes grow and can impact galaxy evolution. We know that the fate of galaxies such as the Milky Way is closely linked to that of black holes, as these can generate galactic storms that can extinguish the formation of new stars. Studying primordial epochs allows us to understand the initial conditions of the Universe we see today,' Bischetti concludes. 

The article ‘Multi-phase black-hole feedback and a bright [CII] halo in a Lo-BAL quasar at z∼6.6’, by Manuela Bischetti, Hyunseop Choi, Fabrizio Fiore, Chiara Feruglio, Stefano Carniani, Valentina D'Odorico, Eduardo Bañados, Huanqing Chen, Roberto Decarli, Simona Gallerani, Julie Hlavacek-Larrondo, Samuel Lai, Karen M. Leighly, Chiara Mazzucchelli, Laurence Perreault-Levasseur, Roberta Tripodi, Fabian Walter, Feige Wang, Jinyi Yang, Maria Vittoria Zanchettin, Yongda Zhu, was published in The Astrophysical Journal.

The study Self-assembling dendrimer nanosystems for specific fluorine MRI and effective theranostic treatment of tumours has been published in the scientific journal PNAS. Among the researchers is Sabrina Pricl, associate professor of Chemical Engineering, scientific director of the Laboratory of Molecular Biology and Nanotechnology at the University of Trieste and head of the international collaboration COST Cancer Nanomedicine - from the bench to the bedside. Erik Laurini, associate professor at UniTS, co-authored the study. 

In a world first, the research group have analysed and developed a new imaging system based on the use of fluorinated contrast agents. The system, aimed at early diagnosis and treatment of oncological diseases (even in their most invasive and aggressive forms), outperforms traditional hydrogen-based nuclear magnetic resonance imaging. Since water, and therefore hydrogen, constitute more than 70 per cent our body weight, classic MRI often has limitations in identifying differences between diseased tissue and surrounding tissue, especially for very small tumours. On the other hand, the use of fluorine-based contrast agents, which are not naturally present in human tissue, appears very promising. Precisely because of the absence of fluorine in most biological systems, it has the potential to provide clearer, more specific and resolute images compared to traditional techniques.

The use of fluorine MRI has so far been limited due to the lack of safe imaging agents, which are often characterised by limitations such as low signal-to-noise ratio, low fluorine content or instability or insolubility in water. Researchers, for the first time, have been able to create effective, efficient and non-toxic fluorine-based contrast agents.

Among the distinguishing features of the molecules designed by the researchers (nanosystems of self-assembled dendrimers) is their ability to perform multiple functions. More specifically, they belong to the category of teragnostics, since they are able to perform the function of diagnosis and therapy at the same time. Once the tumour has been detected, the molecules can be used to monitor its progress and release the appropriate therapy drug on site.

‘Interest in the use of fluorine MRI with fluorinated imaging agents is growing. Such nanosystems of teragnostic dendrimers represent the future in the field of personalised medicine. Being able to record and monitor the progress or regression of a tumour and at the same time continue to treat the disease is a real accomplishment in terms of therapeutic outcome and treatment endurance, which as a consequence are less invasive, toxic or harmful, while fully respecting patients,' explains Prof. Pricl.

The University of Trieste took part in the following phases: molecular design and engineering, performance computing, analysis and experimentation.

Among the funders were also AIRC, Cinema and ICSC, National Research Centre in HPC, Big Data and Quantum Computing.

Almost 5.5 million euros of cascade funding was announced today at the University of Trieste. The funding is promoted by the iNEST programme, financed by the European Union - Next Generation EU from NRRP funds. 

Recipients of this initiative are micro, small, medium and large enterprises.

Following on from the first round in August 2023, this year, the calls for proposals issued by the 9 Spokes of the iNEST ecosystem targeting the North-East and the South of Italy are once again aimed at stimulating research, development and technology transfer initiatives, and at developing innovative procedures or increasing their maturity for full exploitation by enterprises.

Project proposals must be received by midnight on 8 July 2024. The calls for proposals in Spokes 8 and 9 of iNEST located in the Trieste area have two project themes: Maritime, marine and inland water technologies: towards the Digital Twin of the Upper Adriatic, and Models, Methods, Computing Technologies for Digital Twin. These themes are represented, respectively, by the University of Trieste and the International School for Advanced Studies (SISSA).

As in the first round of funding, in this second round, both Spokes envisage a budget of €1,732,090 for the Triveneto (Friuli Venezia Giulia, Veneto and Trentino-alto Adige regions) call for applications and €979,141 for the Mezzogiorno (southern regions of Italy) call for applications. Over the two-year period 2023-24, a total of 5,422,462 euros will be allocated by each Spoke to companies.

The calls for tenders offer a great opportunity, in particular for the development of technology and materials that will benefit hi-tech and digital economy companies. The component and sensor sectors could equally benefit from the creation of digital 3D models or augmented reality applications which require data monitoring, collection, storage and analysis.

‘The regional university system,’ says Pierluigi Barbieri, Professor at UniTS and Coordinator of Spoke 8, ‘is working in synergy to create opportunities for collaboration between the public and private sectors that can guarantee and improve the attractiveness and competitiveness of our region.’

‘The project follows an innovation model which aims to use research as a base to modernise and grow the production system. This model thrives thanks to the partnership of the nine universities in the Triveneto area and thanks to the institutions of excellence in Trieste.’

‘There are, therefore, all the conditions,’ Barbieri concludes, ‘for the iNEST project to reach its potential and become a real activator of economic wellbeing and improved quality of life.’

‘Our main objective is to bring together expertise and trade associations. This is a great opportunity to boost and enhance the projects within enterprises. We hope that as many companies as possible will pay attention to this opportunity,' says René Buttò, head of SISSA's Enhancement and Innovation Office.

Franco Scolari, Director of the Polo Tecnologico Alto Adriatico, emphasised the Polo's role in translating research expertise into results for companies. Stefano Querin (OGS), representative for Spoke 8, also spoke at the press conference. 

The calls for cascade funding are available on the iNEST website  

Camilla Venturini, PhD student studying a joint programme in Civil and Environmental Engineering and Architecture at the University of Trieste and University of Udine, has received one of the 'Best paper under 40' awards. The award is in recognition of her contribution 'Towards a laboratory of territorial ecologies: the Trieste Karst', and was awarded during the XXVI Conference of the Italian Society of City Planners SIU which has just ended in Naples.

Camilla Venturini is currently doing a thesis in Urban Planning on 'FOODSCAPING. Rethinking territories through their food systems', tutored by Prof. Sara Basso of UniTS and Prof. Alessandra Marin of UniFE. It aims to identify how urban planning tools can contribute to regenerating local territories starting from food spaces, enhancing their identifying characteristics and mediating conflicts. The thesis examines Friuli Venezia Giulia as a context, focusing on case studies such as the city of Trieste.

In the year of UniTS Centenary, the Art relationship project continues the university’s commitment to enhancing its artistic heritage and creating a closer bond with the Friuli Venezia Giulia territory. The project is organised by the University of Trieste in collaboration with the University Museum Services (SmaTS) and the Cultural Heritage of Friuli Venezia Giulia (ERPAC).

Following the success of the artist in residency programme Shine Bright Like a Diamond in 2023, which involved the Departments of the University of Trieste in an unprecedented collaboration between lecturers, artists and students, Art Relations focuses on the relationship between important artists and the University and the city of Trieste.

The project kicks off on 18th June with exhibitions of internationally renowned artists Serse Roma and Manuela Sedmach and will continue in the coming months with Antonio Sofianopulo and Elisa Vladilo.

The six graphite drawings that make up ‘Serse. The ambiguities of representation’ will be exhibited in the right and left wings of the central building of the University of Trieste, Piazzale Europa 1.

“The form is that of still life, of the object arrested in its natural process. The figure, on the other hand, is linked to the dynamic continuity of the living being. In Serses' work, all things, even an isolated object in the most stable of configurations, are brought to life by this dynamic continuity. And it is thanks to the technique he has adopted and defended over all these years; drawing,” said art critic Alessandro Del Puppo.

The exhibition ‘Manuela Sedmach. Al di sotto della sostanza cromatica, nell'intercapedine della pittura' (Underneath the substance of colour, inside painting’s cavity wall) will instead be on display at the UniTS Department of Humanities in Via del Lazzaretto Vecchio where some twenty of the painter's works will be on display.

“It was no accident, but rather a purposeful choice by Sedmach to distribute her works in the Library of the Archive of Writers and Regional Culture of the University of Trieste in order to relate them to a cultural heritage intimately perceived and experienced over the years. Alongside the development of shelves that preserve and protect the ‘written memories’, making them available to the 'gesture' of consultation, the 'pictorial-narration' offers itself to a visual reading characterised by development within the same space, sustained by a 'stabilised wind' that intersects the top and the bottom, from the centre to the borders of the canvas, now reinforcing itself on the left with a mass moving to the right, now stabilising in a depression, and then extending horizontally, revealing itself only to a careful gaze,' stresses art critic Andrea Del Guercio.

Serse Roma

Born in San Polo di Piave on 14 November 1952, Serse has lived and worked in Trieste since 1980.

Serse Roma focuses exclusively on graphite drawing on paper. Over the years, the artist, an adopted Triestine, has produced a considerable series of images that have earned him inclusion in the volume Vitamin D, New Perspectives in Drawing, published by Phaidon Press, London (2006), and a chapter in Lorand Hegyi's new essay ‘Drawing in the Age of Uncertainty’, Silvana editions (2021), as well as participation in major international exhibitions like Pastels du 16°au 21°siecle at the Fondation de L'Hermitage in Lausanne.  His work is characterised by a consistency and recognisability that make it unique in today's national panorama. In Serse’s case, drawing is not a merely a classical tool for sketching out the invisible scaffolding of a painting, nor does he use it, like many contemporary artists, as a precarious and fragile visual note. In Serses Rome, the work in its absolute completeness is due to drawing alone. Drawing represents 'no more than this'. It is an instrument subjected to a vertiginous analysis that probes its full potential. From Serse Roma's graphite has sprung one of the most intense re-readings of landscape in contemporary art: Seas, Cloud Skies, High Mountains, Snowy Woods, Reeds, Reflections of Water. In other words, the non-human, sublime dimension of Earth in its elementary condition of first and ultimate things. Almost as if it were possible to probe, through the concrete materiality of graphite, the mineral soul of the earth, whose transformations occur on a time scale other to our anthropological one. In recent years, Serse Roma has delved even deeper into what could be included, or at least brought back, to the graphite that has marked his career. The reference to the minerality of graphite is captured in his astonishing series Diamonds, whose perfect and unalterable form recalls the crystallographic origins of the primary forms of geometry and building. We thus return to Serses' reflection on his instrument, graphite, a material that by its very nature recalls the minerality (graphite and diamond are allotropic forms of carbon) behind a not-only-human geometry of the constructed.

Manuela Sedmach

Born in Trieste in 1953, she began exhibiting in the 1970s after attending the "E. Nordio" State Institute of Art in Trieste with teachers such as Ladislao de Gauss, Maria Campitelli, and Enzo Cogno. But her most heartfelt activity began in the 1980s with Officina in Trieste, Avida Dollars in Milan, Rasponi in Ravenna, Fuxia Art in Verona, Emporium in Ivrea and Arte3 in Trieste. In 1991, she was part of the Art exposition in Chicago where she featured in an exhibition of 5 Italian artists at Navy Pier. She also received the important Pollok - Krasner Foundation Grant, New York. In the 1990s, more precisely in 1992, she began her relationship with Galleria Continua, which was at that time based in a small but precious space near the Cathedral of San Gimignano.

Manuela’s relationship with Galleria Continua continues to this day with exhibitions, international fairs and exhibition relationships with other galleries such as Van Laere in Antwerp, Schroeder in Cologne, Dina Carola in Naples, G7 in Bologna, Jaqueline Arets in Knokke in Belgium. In 2003, a beautiful underwater installation 'Occhi bianchi' (White eyes) in the Ponterosso canal followed a personal exhibition at the Revoltella Museum in Trieste in Palazzo Gopcevich, kindling an important relationship with Galleria Torbandena in Trieste.

In 2009, she exhibited at Le Moulin-Boissy le Chatel (Paris) and 2005/2010 Beijing 798 Art Zone (both extensions of the Continua gallery), studio G7 in Bologna, 3G Artecontemporanea in Udine, Plurima and GAMUD – also in Udine. Her series ‘Passare al Bosco’ (A Walk in the Woods)  inspired by ‘The Rebel's Treaty’ by Ernst Junger, was developed from 2015-2017 in Tellaro (SP), in the oratory Santa Maria Telaà, in Galleria Continua, in ARCA-ITIS in Trieste, and Colonos in Villacaccia di Lestizza, before it arrived at its current title ‘Dubito ergo Cogito’,(I doubt therefore I think)  inspired by a docufilm by Werner Herzog in which he finds the characters that accompany him in his work: slowness, fatigue, doubt and many more. In 2020, she moved to Portugal in Braga where she continued her activity with an important collaboration with the Nuno Centeno gallery in Porto. The meeting with two particular artists Pedro Vaz and Filipe Cortez was especially important. In 2023 she put on the exhibition ‘Nunca pare de ver – N'arrête jamais de voir’ (Never stop seeing) with Galleria Continua. In recent years, Manuela Sedmach has brought the Portuguese atmosphere into her work.

On 15th June 2024 the voluntary organisation IRC, whose purpose is health and social assistance in times of peace and conflict, celebrates 160 years since its foundation.

Founded in Milan, the IRC is placed under the high patronage of the President of the Republic and is part of the International Red Cross Movement.

Its history is intertwined with that of Italy: in the good times, during major events, in the disasters that have affected our country but also, and above all, with the individual local realities.

Millions of volunteers, aid workers and operators have worked to alleviate the suffering of those in vulnerable situations: from battlefields to assisting refugees and exiles, to disseminating hygiene and health education standards, to initiatives in schools.

The Trieste IRC Committee, with its highly specialised personnel, has always been working alongside the population in responding to social, health and civil protection needs.

The University of Trieste confirms its markedly international and professional vocation and its attractiveness for students: the most dynamic and attractive university in the region, the University of Trieste guarantees its graduates a better salary and an employment performance above the national average, ensuring an excellent post-graduate transition.

This is the picture that emerges from the Almalaurea 2024 report, which examined about 300,000 graduates from 78 universities in 2023.

In detail, as regards work and salaries, the University of Trieste guarantees employment for more than 91.1% of master’s graduates (+1.1% compared to 2023) after five years of graduation (88.2% national figure) and 81.3% after one year (Italian average 75.7%).

77.2% of bachelor’s graduates find work twelve months after their degree, compared to 74.1% of the national average and 79% of Friuli Venezia Giulia.

Finally, the University of Trieste ensures a salary higher than the local and Italian average with € 1,437 for bachelor’s graduates and, for master’s graduates, € 1,513 after one year and € 1,826 after five.

41.5% of university graduates come from outside the region, compared to the regional average of 34.1% and the national average of 24.8%, with an excellent 4.5% coming from abroad (regional average 3.6%). Particular mention should be made of the number of foreign bachelor’s students: with its 3.9%, the University of Trieste exceeds the Italian average (3.2%).

More than 12.2% of bachelor’s graduates (+2.2% compared to 2023) undertake study experiences abroad, compared to 9.3% of FVG and 7.3% of the Italian average. Moreover, the total number of graduates who took a mobility period abroad recognised by their degree course also confirms the internationalisation of the academic experience promoted by UniTS: with an average of 11.9% (the previous year it stood at 9.5%) the University of Trieste is more than two percentage points higher than the national average (9.8%).

 The knowledge and skills acquired in Trieste and abroad result in an excellent rating for the effectiveness of the qualification, particularly in terms of its applicability within the relevant sector: more than 66% of bachelor’s graduates define their qualifications as ‘effective’, compared with the FVG average of 62% and 61.7% in Italy. This trend is also confirmed by master’s graduates, reaching more than 73% after one year of their degree (national average 69.5%; regional 71.7%).

In addition to its international vocation, UniTS confirms the markedly professional nature of its degree courses: in particular, 76.6% (an increase of 2.2% compared to 2023) of two-year master’s graduates (63.6% national; 70.5% regional) and almost 60.2% of integrated master’s graduates (national 58%; 59.3%) have, in fact, been able to benefit from a wide range of curricular internships offered to students by the university.

As for the relationship with the teaching staff, study workload, available facilities: more than 87.7% of students are satisfied with their overall university experience in Trieste. 

Opening tomorrow in Zuglio (Udine) Luci Celesti Radici Terrestri + Stelutis Alpinis, FVG's first astronomy-themed science festival, which will continue until 19th October 2024. The scientific contribution will be made by the Physics Department of the University of Trieste and the INAF-Trieste Astronomical Observatory, while the artistic direction is by the Amalgama Collective. Among the organisers is the Municipality of Arta Terme.

The initiative, created to investigate the relationship of human beings with the starry sky, which spans from the myths of antiquity to the most recent discoveries, will propose lectures, astronomical observations, installations, performances and workshops combining scientific and cultural aspects and local history. The next four months will also feature the theatrical and musical performances of the Amalgama Collective and a series of activities involving local associations. The programme includes meetings with UniTS lecturers, visits to historical and natural sites, immersive experiences with virtual reality visors, orienteering activities with the stars, art installations and performances. Participants will also be involved in an experiential teaching workshop organised by the Amalgama Collective, starting with Gianni Rodari's work ‘Via Lattea Quaraquarinci’, which will lead them to create stories and nursery rhymes. The works will then be collected together with drawings and thoughts of the children to form the Almanac of the New Poetic Astrophysics School. A rich and varied programme of free events will offer multiple approaches to the astronomical theme.

The University of Trieste, with the Department of Physics, is the lead partner in the project ‘Stelutis Alpinis. Let's discover the Cosmos from the Mountains of Carnia’, financed by the University through the Public and Social Commitment - Third Mission call, a new initiative of the University created to support with ad hoc funding projects that have an impact and a relationship with the community, in this case the regional one. The initiative complements Luci Celesti/Radici Terrestri, a festival funded by the Friuli Venezia Giulia Region in which the University participates as a partner and which has Alexandro Saro as its scientific director.

For more information

Programme:

Saturday 8th June, 21:00, Zuglio, Polse di Côugnes 

‘Is there life in the galaxy?’ lecture by Prof. Giovanni Vladilo. Followed by astronomical observation.

Sunday 9th June, 21:00, Rivalpo 

‘Close Encounters with the Second Kind’ performance with artistic incursions, by the Amalgama Collective, Daniele D'Agaro and Marzio Tomada. The evening is held at Rivalpo, which celebrates the traditional Festa della Madonna on the morning of the same day.

Tuesday 25th June, 21:00, Valle, Social Centre 

‘Three walks in the woods of stars’ lecture by Fabrizio Fiore, director INAF Trieste, artistic interventions by the Amalgama Collective.

Wednesday 26 June, 17:00, Zuglio

Municipal Archaeological Museum guided tour of the museum and the Roman forum.

Thursday 27th June to Saturday 29th June

Rivalpo, Zuglio Archaeological Museum, 14:00: opening of the festival's art installations.

Friday 28th June, 17:30, Zuglio 

Archaeological Museum guided tour of the museum and the Roman forum.

Thursday 29th June

17:30. Rivalpo ‘Close Encounters with the Second Kind’ performance with artistic incursions by the Amalgama Collective.

21:00. Zuglio, Polse di Côugnes Astronomical observation at the observatory.

Saturday 13 July, 11:00, Rivalpo 

'Food and wine walk' at the fair. Visit to exhibitor stands and tastings.

Saturday 10 August, 21:00, Zuglio, Polse di Côugnes 

‘Star Maps Carved on a Protohistoric Stone: The First Astronomer?’ lecture by Prof. Paolo Molaro. Followed by astronomical observation.

Saturday 14 September, 21:00, Zuglio, Polse di Côugnes

‘The variable sky: Exploring the frontiers of contemporary astrophysics’ lecture by Prof. Francesco Longo. Followed by astronomical observation.

Saturday 19 October, 21:00, Zuglio, Polse di Côugnes

‘Journey to the dark side of the universe: from Einstein to Euclid’ lecture by Prof. Stefano Borgani, UniTS. Followed by astronomical observation

From Monday 14th to Friday 18th October: educational week for pupils and teachers of the schools of the Istituto Comprensivo Linussio - Matiz

The book ‘Prehistoric Caves of Friuli Venezia Giulia’ maps, describes and places in a precise but explanatory scientific context the caverns from which artefacts and animal remains exhibited in the museums of our territory originate.

Readers of the free downloadable publication, will also find some easily accessible itineraries for total immersion in one of the most fascinating and mysterious treasures of our natural heritage.

The book is the final act of a collaboration between the Central Directorate for Environmental Protection, Energy and Sustainable Development, the Geological Service and the Interdepartmental Centre for Science and Technology Applied to Cultural Heritage SCICC of UniTS for the implementation of the Regional Cave Database (CSR) with data on caves of archaeological interest related to the CRIGA (Computerised Annotated Database of Archaeological Caves) project, developed in the past for the Karst caves by UniTS. In the realisation of the project and the drafting of the publication, coordinated by UniTS, it was essential to collaborate with the Scientific and Archaeological Museums of Trieste and Udine, the Speleological Groups and Associations, as well as scholars from different scientific fields, who made it possible to extend the database to the entire region.