“Let’s Change! The Climate Is Changing. Let’s Talk About It” is back — the Public and Social Engagement / Third Mission project of the Department of Engineering and Architecture at the University of Trieste (UniTS). In Trieste too, the effects of climate change are becoming increasingly tangible. Negative impacts on terrestrial and marine ecosystems, along with extreme weather events such as flooding and heatwaves, are causing ever more significant damage to the territory, infrastructure and public facilities, economic activities, and public health. In this context, sharing scientific knowledge about the ongoing transition and promoting awareness and mobilization initiatives involving public administrations and civil society has become increasingly urgent.

In May 2026, three meetings will take place at the Urban Center as part of the series “Adapting Trieste to Climate Change. Towards a Participatory Agenda of Possible Actions”, conceived as moments of collective discussion aimed at identifying concrete proposals to be presented to local institutions by October 2026.

The spring series of events will conclude on May 22 at Cinema Ariston in Trieste with a free screening — premiered in Trieste — of the film Don’t Let the Sun, presented at the 2025 Locarno Film Festival.

PROGRAMME

Greenery, Soil, Water: Rethinking Urban Spaces and Their Transformations

May 14, 2026, 5:30 PM
Urban Center, Corso Cavour 2/2, Trieste

The Sea Is Rising: How Will We Move Around the City?

May 18, 2026, 5:30 PM
Urban Center, Corso Cavour 2/2, Trieste

Sustainable Energy, Collective Energies: Towards New Communities

May 20, 2026, 5:30 PM
Urban Center, Corso Cavour 2/2, Trieste

Don’t Let the Sun

Switzerland, Italy, 2025, 100 min
Directed by Jacqueline Zünd

Starring Levan Gelbakhiani, Maria Pia Pepe, Agnese Claisse, Karidja Touré, Cecilia Bertozzi.

Original version with Italian subtitles

May 22, 2026, 8:00 PM
Cinema Ariston
Viale Romolo Gessi 14, Trieste

In a future made uninhabitable by extreme heat, people live at night and human relationships have all but disappeared. Jonah works for an agency that provides “emotional substitutes.” His emotional detachment begins to crack when he is hired to act as the father of Nika, a withdrawn and distrustful young girl.