What lies behind the enigmatic gaze of the Mona Lisa? What if those eyes, that face, that posture concealed clinical clues that have escaped art historians for centuries? Those slightly averted eyes, the peculiar neck, that unusual posture that have always been interpreted as aesthetic choices, today find a possible explanation thanks to genomic technologies. ‘Art and genetics: diversity as individuality’, a UniTS project funded by the Friuli Venezia Giulia Region, presents a free exhibition challenging traditional categories of research dissemination from 3rd to 10th February in six cities in the FVG region.

Icono-diagnostics is at the heart of this project; a discipline that applies medical knowledge to the study of works of art to recognise clinical signs and symptoms in the subjects depicted. It is an approach that affords the opportunity to see masterpieces with fresh eyes. Details that were once considered oddities or aesthetic peculiarities now find possible scientific explanation at the molecular level.

Trieste’s Politeama Rossetti is to become the beating heart of the event, which boasts a rich programme over two days. On Wednesday 4th February, visitors to the Sala Bartoli will mix science and theatre. The programme starts at 16:30 with ‘Interpreting art through genetics: from paintings to the blueprint for life’, a scientific laboratory curated by prof. Giorgia Girotto, lecturer at UniTS Department of Medicine, Surgery and Health Sciences, during which geneticists, researchers and a special invited guest create an interactive experience for the public. Quizzes, team challenges and observation games make visitors the real researchers as they are asked to identify clues that tell stories of rare diseases and genetic diversity in works of art. At 19:00, participants can watch ‘Imperfect Icons’, a theatrical production written and performed by Diana Höbel that explores a fascinating parallelism between the professions of acting and genetics. Just as the actor observes others to capture their essence, so the geneticist knows how to ‘look’ at the patient to identify anomalies and arrive at a diagnosis. With irony and lightness, Höbel gives a voice to the painted subjects and has them reflect on their own image, revealing how even the most famous subjects hide a deep and surprising humanity.

On Friday 6th February at 16:30, Room 1954 will host ’The perfect imperfection: when illness becomes art’, an artistic laboratory with Giacomo Andrea Faroldi and Francesca Boldrin, written and directed by Paolo Quazzolo with historical and artistic consultation from Massimo Degrassi. Using narrative theatre, two actors will give accounts of famous paintings with the help of images, revealing the relationships between the subjects depicted and hypothesised pathologies, moving outside traditional framings of the paintings to consider the artworks through both art history and medicine. The laboratory’s interactive elements encourage participation and offer the public the opportunity to rediscover well-known artworks from an unprecedented perspective.

The exhibition will travel across the entire region, offering either or both the artistic laboratory and scientific laboratory in different locations: on 3rd February at 16:30 at the Ugo Carà Museum in Muggia (artistic laboratory); on 7th February at 16:30 at the Hall of Hotel Ai Dogi in Palmanova (artistic laboratory); on 8th February at the Teatro San Giorgio in Udine both the scientific laboratory at 16:30 and the theatrical performance ‘Icone imperfette’ at 19:00; on 9th February at Palazzo Coronini Cronberg in Gorizia both the artistic laboratory at 15:00 and scientific laboratory at 17:00; on 10th February at 16:30 at the San Francesco Convent in Pordenone (artistic laboratory).

The project was conceived by UniTS Department of Medicine, Surgery and Health Sciences under the scientific lead of Giorgia Girotto, who is also Head of the Genomics and Bioinformatics Laboratory at the Trieste’s Burlo Garofolo Research Hospital. The laboratories all stem from the belief that art and genetics share the same core concept: the study of variation and how unique forms are born from it. Special attention is paid to rare genetic diseases, which through theatre and art emerge from abstraction to become recognisable and deeply human stories. Empathy is the beating heart of the project, instructing participants to go beyond diagnosis to meet the person in their entirety.

The initiative is carried out in partnership with Burlo Garofolo Research Hospital, Stazione Rogers, Immaginario Scientifico Science Museum and Il Rossetti – Friuli Venezia Giulia’s Theatre in collaboration with the Municipalities of Muggia and Udine.

 Programme   

Free admission. Booking required for all events. To book, visit the Eventbrite platform.

You can also book using the QR codes printed in the programme. 

Information: arte.genetica@units.it